✨ christie ✨

✨ christie ✨

woman who does shit (sometimes) and doesn't do shit (other times)

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  • Muscle

    Muscle

    ★★★★

    ryuzaki has a point, in that i would also beat a guy with a stick if he broke a pasolini VHS tape i'd spent a long time trying to get

    (it's a travesty that a remaster of this will have a negligible chance of ever coming through - too many pretty compositions here to languish in vhsrip quality)

  • Salome's Last Dance

    Salome's Last Dance

    ★★★½

    gives the play all the gilded areolae, pantomimed fisting, ken russell self-inserts (as photographer and pornographer), fart jokes, and female penises it needs. some of the antisemitic elements in the production elicited discomfort, but i imagine they are true to the play—and definitely to the time—since this adaptation is largely verbatim.

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  • Promising Young Woman

    Promising Young Woman

    ★★

    This review may contain spoilers. I can handle the truth.

    (tw brief mentions of sexual and physical violence in the review, which is a given considering the film's subject matter)

    in gregg araki's the doom generation, it states itself to be a "heterosexual film", to the point where it intentionally gives a vicious, hellish course-correction when its two male protagonists come close to a sexual encounter—nazis draped in american flags brutalise the heroic trio, leaving only two alive and speechless in an america now drained of colour and queerness. the…

  • The Stunt Double

    The Stunt Double

    fuck damien chazelle for plagiarising my cinematic manifesto "DOGME 19" and using it for capitalistic purposes

    THE NEW CINEMATIC MOVEMENT
    DOGME 19
    BROUGHT INTO EXISTENCE BY CHRISTIE

    THE ERA OF CAPITALIST CINEMA IS DEAD, SOON THESE TWELVE NEW RULES WILL ARISE TO ENSURE A REVOLUTIONARY CINEMA.

    1. THE CAMERA MUST NOT MOVE AT ANY POINT
    2. ALL MUSIC MUST BE COPYRIGHTED MUSIC USED WITHOUT PROPER LEGAL RIGHTS
    3. THE FIRST LINE OF THE FILM MUST BE QUIETLY REPEATED ON LOOP…