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  • Monster Hunter

    Monster Hunter

    how i can best describe paul ws anderson's change of gear with this and the final chapter is how he's totally embraced a sort of chaotic coverage, wherein he and editor doobie white search for this tension between shots that are exacting and overdetermined vs shots that... aren't (whether its between wides and closeups, or stable ones which show his canny eye for composition and hyperactive ones which prefer a more unpredictable and entropic approach), or between coherence and discombobulation,…

  • Foreboding

    Foreboding

    ★★★★★

    pretty major! this and before we vanish really feel like his most complete statements on the human condition and form an amazing literary whole. it was already great that this would elaborate on such an ingenious premise through another perspective, and works great just as a sci-fi thriller with skillfully intimate yet massive scope, but this adds several more layers of psychological and ethical complexity by further implicating humans in their own destruction and malaise (without outright suggesting they're beyond…

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  • Tenet

    Tenet

    crazy thing abt this is how it begins as a very straightforward spy movie / bond riff, with a pointed cause/effect between events — go here to do this so they can get this so they can go there, etc. then as it goes on and the inversion concept plays a greater role the distinctions between cause and effect become noticeably blurred and eventually completely annihilated. point a to point b, then b to a, then c to d (and…

  • Om Shanti Om

    Om Shanti Om

    ★★★★★

    once upon a time in bollywood