Freelance writer and editor. Formerly a senior writer at Newsweek. Author of a new 33 1/3 book. Still sitting in a room.
I love Errol Morris, but don't love his late-career tendency to center every documentary around One Big Interview with One Single Interview Subject, such that he has to work so hard to spice up the format with flashy visual flourishes and superimposed text.
Anyway, this was OK. I like when you can distinctly hear Errol Morris shouting at his interview subject from offscreen.